A wide screen high leds placed deep inside the Opera House stage. Above that, the images are both abstinence interplay of colors. Paris show up with pictures of the Eiffel Tower as far as close to the Seine river crossing bridge segment also remember that one goes through, the area envisioned for unknown artists address, just know it is close to the Seine. The images are the same, but the truth is covered up a little bit of painting vague. The stage design was the display of information processing technology to become a soft background for La Bohème affair since the poet Rodolfo meets Mimi girl next door in the dark and candle suddenly turned off.
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Mimi and Rodolfo her guy.
Mimi character is built with statues naive and noble. Whenever she reached out to talk about the dream planted many flowers, leaves much embroidery, from both voice and body language, Mimi becomes soft as roses beside but heartfelt romance of Rodolfo. On stage, they are disguising itself into a great partnership. In particular, in the last scene, Mimi knew he had to die, but still smiling a wry definition. "You just come near me. Let's laugh, "she sang. That makes the work so sad though still light up the desire to live, as well as definition indescribable bustle of urban industry.
Be lover's jealousy pushed away, returned and died as a conviction for Mimi choose love and spiritual values. Her death saddened end play but gives the public confidence in love, with calm blue moon symbol. Moonlight stretches the play, at the end of the play to change color, but the mellow gold shall never budge. The narrative of two lovers earnestly end notebooks like the ocean of love, of beauty as their dawn. When asked, whether the rain or snow in the cold attic, they still sing like moonlight landscape under warm, gentle.
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Musetta her haughty, seductive.
Meanwhile, Musetta's Lorina Gore in silvery dress brightened the stage while singing her hands on his waist and his charm. She pushed the hips from side to side, like a snake dance hand way feminine. The arrogant gesture that makes the boys easily agitated. When directed to the waiter he thought blankly before she fainted, the audience laughed. The charm of her identity as a physical desire only for beauty but for someone you love.
When two tenor, soprano Ji-Min Park, Natalie Aroyan tie in his love "Tonight the moonlight, the moon is above the nearest neighbor of us", the dark blue sky with the why as a small dot. Tiny Eiffel Tower to stand still occasionally have flashed past stars. When close friends together to go out and sing, the tower was gradually enlarged in the music as the steps to transition.
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The cast of Opera Australia Opera House stage at 10/4.
There were three people involved in transition, moving light, moving space. Stage director Matthew Barclay was staged. With green space deep black color of the sky on the video, theatrical space was also made by blue calming down from the ceiling. Fun times and want to create accents, a large searchlight was scanning the stream from the side stage as the characters pick up on continuous basis. Christmas atmosphere is evident with the large light emitted to catch Santa Claus (the original version of Opera is the old man selling toys). Long's sad light of the golden tap Mimi's deathbed, surrounded by bright regions along the weak.
Plays like a love song about young people. They met in poverty in urban areas, in the moonlight. No matter how moonlight passes, they still yearn for blue eyes, dark hair of each other. Through the moonlight was cold, bleak truth snowfall quickly to make room for burning vitality, desire to love emanates from the characters, through the voices, footsteps of the dances and the torn they have to go through when choosing love and utilitarianism.
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